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Since I posted the poem Ithaca by C.P. Cavafy in May 2007, it has been the most sought after and most read poem on this site, garnering 1,720 views. Karl Mikelsons just wrote in to the comments section of the posting and pointed me to this fantastic reading of the poem by Sean Connery.

Only one year ago I was working at a job that felt like dying. My dear friend Anders Hansen, a Philadelphia artist sent me the poem and I immediately fell in love with it. As many of you have as well. It helped me keep a sense of perspective as I grappled with the “Lestrygonians” of my daily existence.

This year I found the perfect job and just spent the whole summer traveling through Europe and opening myself up to the journey. Once again, Ithaca reminds me on how best to go through the world, literally and metaphorically.

Enjoy the video!

The link to the original posting.

Aubade: Lake Erie

When sun, light handed, sows this Indian water

With a crop of cockles,

The vines arrange their tender shadows

In the sweet leafage of an artificial France.

Awake, in the frames of windows, innocent children,

Loving the blue, sprayed leaves of childish life,

Applaud the bearded corn, the bleeding grape,

And cry:

“Here is the hay-colored sun, our marvelous cousin,

Walking in the barley,

Turning the harrowed earth to growing bread,

And splicing the sweet, wounded vine.

Lift up your hitch-hiking heads

And no more fear the fever,

You fugitives, and sleepers in the fields,

Here is the hay-colored sun!”

And when their shining voices, clean as summer,

Play, like churchbells over the field,

A hundred dusty Luthers rise from the dead, unheeding,

Search the horizon for the gap-toothed grin of factories,

And grope, in the green wheat,

Toward the wood winds of the western freight.

-Thomas Merton

Venus and Adonis [But, lo! from forth a copse]
But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
     The strong-neck'd steed, being tied unto a tree,
     Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
     The iron bit he crushes 'tween his teeth
     Controlling what he was controlled with.

His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
     His eye, which scornfully glisters like fire,
     Shows his hot courage and his high desire.

Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
     And this I do to captivate the eye
     Of the fair breeder that is standing by.'

What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
     He sees his love, and nothing else he sees,
     Nor nothing else with his proud sight agrees.

Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
     So did this horse excel a common one,
     In shape, in courage, colour, pace and bone

Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
     Look, what a horse should have he did not lack,
     Save a proud rider on so proud a back.

Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
     For through his mane and tail the high wind sings,
     Fanning the hairs, who wave like feather'd wings.

He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
     Spurns at his love and scorns the heat he feels,
     Beating his kind embracements with her heels.

Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
     His love, perceiving how he is enrag'd,
     Grew kinder, and his fury was assuag'd.

His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
     As they were mad, unto the wood they hie them,
     Out-stripping crows that strive to over-fly them.

     I prophesy they death, my living sorrow,
     If thou encounter with the boar to-morrow.

"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
     Pursue these fearful creatures o'er the downs,
     And on they well-breath'd horse keep with they hounds.

"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
     The many musits through the which he goes
     Are like a labyrinth to amaze his foes.

"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
     And sometime sorteth with a herd of deer;
     Danger deviseth shifts; wit waits on fear:

"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
     Then do they spend their mouths: Echo replies,
     As if another chase were in the skies.

"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
     And now his grief may be compared well
     To one sore sick that hears the passing-bell.

"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
     For misery is trodden on by many,
     And being low never reliev'd by any.

"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
     Applying this to that, and so to so;
     For love can comment upon every woe."

-William Shakespeare

Invitation to the Voyage

Child, Sister, think how sweet to go out there and live together! To love at leisure, love and die in that land that resembles you! For me, damp suns in disturbed skies share mysterious charms with your treacherous eyes as they shine through tears.

There, there’s only order, beauty: abundant, calm, voluptuous.

Gleaming furniture, polished by years passing, would ornament our bedroom; rarest flowers, their odors vaguely mixed with amber; rich ceilings; deep mirrors; an Oriental splendor—everything there would address our souls, privately, in their sweet native tongue.

There, there’s only order, beauty: abundant, calm, voluptuous.

See on these canals those sleeping boats whose mood is vagabond; it’s to satisfy your least desire that they come from the world’s end. —Setting suns reclothe fields, the canals, the whole town, in hyacinth and gold; the world falling asleep in a warm light.

There, there’s only order, beauty: abundant, calm, voluptuous.

-Charles Baudelaire (Translated by Keith Waldrop)

[state of emergency]

To honor movement in crescendos of text, combing through ashes for fragments of human bone, studying maps drawn for the absurdity of navigation — what may be so edgy about this state of emergency is my lack of apology for what I am bound to do. For instance, if I dream the wetness of your mouth an oyster my tongue searches for the taste of ocean, if I crave the secret corners of your city on another continent, in another time, in series of circular coils extending outward, then it is only because I continue to harbor the swirls of galaxies in the musculature and viscera of my body. You will appear because I have mouthed your name in half-wish, reluctant to bring myself to you. You will appear for me, because you always do, with earthen skin outside the possibility of human causation.

-Barbara Jane Reyes

A blog is a terrible thing.

You think it would quench the thirst for real publication, but it doesn’t.
Instead you act a little tyrant, and push your agenda. Your own printing press and audience. A Napoleon of poetry.

And then when you need to speak to people, they don’t know who to listen to. The voice in the blog or you. And when you think about all you have said to the world, you have to wonder if you really meant it, but there it is, said and said and said. And there is no taking it back, is there. And the delete key seems such an impotent option. A thing can’t be unread.

But the most terrible thing about a blog is that it’s all there in one place, consolidated, lucid. Every inconsistency shining forth, juxtaposed. A stubborn consistency it makes, and Emerson would be rolling over in his grave, the way we let it demand that we mean what we say and say what we mean and then account for it all again and again.

There comes a time when you go too far, and from there you either strip completely naked, or you leave town.

When a Woman Loves a Man

When she says margarita she means daiquiri.

When she says quixotic she means mercurial.

And when she says, “I’ll never speak to you again,”

she means, “Put your arms around me from behind

as I stand disconsolate at the window.”

He’s supposed to know that.

When a man loves a woman he is in New York and she is in Virginia

or he is in Boston, writing, and she is in New York, reading,

or she is wearing a sweater and sunglasses in Balboa Park and he

is raking leaves in Ithaca

or he is driving to East Hampton and she is standing disconsolate

at the window overlooking the bay

where a regatta of many-colored sails is going on

while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one ten in the morning

she is asleep he is watching the ball scores and eating pretzels

drinking lemonade

and two hours later he wakes up and staggers into bed

where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.

When she says, “We’re talking about me now,”

he stops talking. Her best friend comes over and says,

“Did somebody die?”

When a woman loves a man, they have gone

to swim naked in the stream

on a glorious July day

with the sound of the waterfall like a chuckle

of water rushing over smooth rocks,

and there is nothing alien in the universe.

Ripe apples fall about them.

What else can they do but eat?

When he says, “Ours is a transitional era,”

“that’s very original of you,” she replies,

dry as the martini he is sipping.

They fight all the time

It’s fun

What do I owe you?

Let’s start with an apology

Ok, I’m sorry, you dickhead.

A sign is held up saying “Laughter.”

It’s a silent picture.

“I’ve been fucked without a kiss,” she says,

“and you can quote me on that,”

which sounds great in an English accent.

One year they broke up seven times and threatened to do it

another nine times.

When a woman loves a man, she wants him to meet her at the

airport in a foreign country with a jeep.

When a man loves a woman he’s there. He doesn’t complain that

she’s two hours late

and there’s nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.

She’s like a child crying

at nightfall because she didn’t want the day to end.

When a man loves a woman, he watches her sleep, thinking:

as midnight to the moon is sleep to the beloved.

A thousand fireflies wink at him.

The frogs sound like the string section

of the orchestra warming up.

The stars dangle down like earrings the shape of grapes.

-David Lehman

The eyes of the man who loves me
seek in the dark while I
sleep gently. What rain I
am waiting for, what stories to share
in the warm rain. What rising hopes,
what a looking glass his love is,
making me more beautiful than the
truth of the face.

The man who loves me has dunes and
ruins in ancestral worlds, spaces of peace
untouched by law. It is these places I
will reside, in the countryside, when he comes
here from across the air.

-Nina Alvarez

She dwelt among the untrodden ways

SHE dwelt among the untrodden ways
Beside the springs of Dove,
A Maid whom there were none to praise
And very few to love:

A violet by a mossy stone
Half hidden from the eye!
–Fair as a star, when only one
Is shining in the sky.

She lived unknown, and few could know
When Lucy ceased to be; 10
But she is in her grave, and, oh,
The difference to me!

-Wordsworth

Listen to a live recording.

When the world is strange around me, it is because i am pursing my lips.

The mind can unlearn its tricks, the silver swath, the white shoots that swish out to their same garbage cans. These masteries can be unmastered.

But tonight there is something on top of me, something I can’t get rid of. The strangeness that follows me out to where I am going. These people in my facebook, they have maintained their friendships, I have not. I have one thing to remember, and it is constantly forgotten. I have no hands for holding.

But my heart aches tonight for old faces that i believe stare blankly at me. You can tell when someone has a warm memory of you, and when they don’t.

-Nina Alvarez