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Archive for the ‘writing’ Category

To Have Without Holding

Learning to love differently is hard,
love with the hands wide open, love
with the doors banging on their hinges,
the cupboard unlocked, the wind
roaring and whimpering in the rooms
rustling the sheets and snapping the blinds
that thwack like rubber bands
in an open palm.

It hurts to love wide open
stretching the muscles that feel
as if they are made of wet plaster,
then of blunt knives, then
of sharp knives.

It hurts to thwart the reflexes
of grab, of clutch; to love and let
go again and again. It pesters to remember
the lover who is not in the bed,
to hold back what is owed to the work
that gutters like a candle in a cave
without air, to love consciously,
conscientiously, concretely, constructively.

I can’t do it, you say it’s killing
me, but you thrive, you glow
on the street like a neon raspberry,
You float and sail, a helium balloon
bright bachelor’s button blue and bobbing
on the cold and hot winds of our breath,
as we make and unmake in passionate
diastole and systole the rhythm
of our unbound bonding, to have
and not to hold, to love
with minimized malice, hunger
and anger moment by moment balanced.

-Marge Piercy

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Dormant

dull
door hinge
starlight
fueling
hazy pebble tides

bleached

cheaply glued
transparent
fire
paper

sensible
green
curtains
propelling

one fickle moon

carrying
dense plateaus

Brad Jadwin

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Today’s submission is by the photographer and poet Rick Wright.

The Song

The song
wouldn’t come out
from under
the soul’s wall

Notes have lept over
some nights

But, it is held
fast
and down

And those notes I heard
brief words
those nights
writing life

Make me think it will.

-Rick Wright

And the why:

I love the poem for its sense of longing and optimism. That we might
see our loved ones become fully conscioius of their own power. The
child about to walk. We watch and root them on.

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Submitted by Håkan from Sweden. 

Love Me Like You Never Loved Before 

The presence of you
keeps me up in the night.
I don’t know what to do
when you’re out of my sight.

My life is a bore.
I long for your touch.
I can tell you for sure
that I want you so much.

Love me like you
never loved before.

Come with me.
It’s easy to see
that we both need that thing
like a bird with one wing.

We could fly
and time would pass by.
As we reach for the shore,
I will want you much more.

Love me like you
never loved before.

Skin on skin,
the fire within,
your body is mine,
your look is divine.

The night is still young,
with your name on my tongue,
though nothing me harms,
I will die in your arms.

Love me like you
never loved before.

And the why:

When you can’t have the one that you want, the dream might keep you from going under. And if your dream finally comes true, then there is nothing left to fear. That’s what this poem is about and I would like to share it with millions of dreamers.

-Håkan

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Today’s submission is by Steven (all the way from Australia).

Also check out The Army of Truth and Light Forever, written by him and others (including, in the near future, me).  

Dark Sprite (for LOS)

What dark sprite pursues you down those corridors of ice, that endless, lead to nowhere but the fear within your heart?

Dare you name the creature that has stolen your joy, and insatiable in its fury ever thirsts for more?

We remember you in the golden time, before the fall, when your soul untrammelled flew among the stars.

Please don’t go away; don’t leave us only with memories of your fierce dark mind, the mysteries you create, the paths you tread where none has gone before.

And the why:

Every time I read this poem I bawl my eyes out. The poem is about my daughter and the problems that caused her to leave the family home. Over a number of years her personality changed from being happy, optimistic, outgoing and over-achieving to being the total opposite of those qualities. She began to self-mutilate; she began to have various extremely frightening  delusions (frightening for her as well as for other family members).  Despite psychiatric help and a range of medications, her state of mind has failed to improve. We suspect that she has experienced sexual abuse at some point in her life, but she has always denied that  very strongly. To this day, we don’t know what caused her to change, we don’t know why, we don’t know what, we don’t know where to go from here — and neither do her counselors and psychiatrists.  The “dark sprite” in the poem represents the thing that “stole her joy” and continues to pursue her to this day.

-Steven

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Thanks to Ceej123 for this lovely submission.

In Search of Faeries

Merry Mill rises higher on the hill,
disappears behind a curtain of green.
Woody arms and fingers inter-lace
curling pointy welcomes,
drawing us in.

Terabithia awaits.
Fireflies light the way down the
fern-kissed path where
tagless, costless dreams
hang on secret trees. The fruits
wrinkle your tongue if
you eat them before the
faeries come.

I know they are hiding
beneath the mushrooms,
tall and wide, lush
sacred umbrellas.
This time we will see them.

Come with me.

And the why:

Above is a poem that I wrote about another passion of mine. I hope to use my poetry to encourage people to once again have an imagination about nature and to seek out a magical connection to it. We need to teach the wonderous, fascinating joy of nature to our children..after all, how can we save what we do not first love?

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Another submitted poem. Enjoy!

Songbird Still, March 13, 2007

On winter’s eve I carved a lark
From ancient grain
Woven and dark

I carefully emptied its wings
As my mind filled
With strange cold things

On winter’s eve my eyes shut tight
I left low limbs
And fell to flight

I starved my legs, my arms, and core
Inside my body
My organs tore

On winter’s eve the leaves dropped dead
Frail and fleeting
Drifting to bed.

I stared at shock, bathed in dull pain
Still and meek,
The Lark remained.

© 2007 Jason Keath

And the why:
Above is one of my favorite poems of my own. It was written about a night I went into the hospital, came close to death. It brings back some powerful emotions when I read it, but mainly inspires me to be true to myself.

 -Jason

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Today’s poem of the day, entered by Michelle. 

The Wintered Soul Among Wisteria
Originally published in SP Quill Magazine as the Word Wizard Challenge Winner

One need not read her horoscope to know
this woman’s fate, and though wisteria
cascades sweet blooms of lavender like snow
outside her door, it’s still Siberia
pervading the dimensions of her mind,
for not one fickle thought or patch of moss
can thrive where bleakest shadows are enshrined.
No bittersweet, no dewdrops… only loss
surrounds her heart. She tries to reminisce,
but like a barren continent grown cold,
she can’t perceive one particle of bliss.
She’s clasping grief and cannot be consoled!
Wisteria’s perfume is in the breeze,
but in her soul remains a winter’s freeze.

© Andrea Dietrich, SP Quill Magazine
Spring 2006, Volume 10

And the why:

Clearly this poem is about the death of a loved one and the grief it leaves behind for the survivor. Her struggles to continue everyday life are well documented in this piece.

Everyone feels like they’re in Siberia struggling to find their footing in a world of chaos when someone close to them dies.

‘She tries to reminisce,
but like a barren continent grown cold,
she can’t perceive one particle of bliss.’

I think everyone can relate to the previous line because your heart grows cold after such a loss. Does anyone really recover from losing a loved one? I think we just try to find a way to receive the world without those enshrined shadows and take each day as it comes.

-Michelle

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Many thanks to those people who are sending in poetry they love and expressing why they love it. From the intellectual to the emotional or anything in between, I’m just looking for sincerity. In other words, don’t be daunted if you aren’t Susan Sontag.

To enter, click on the hand in the post below.

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Blight

Give me truths,
For I am weary of the surfaces,
And die of inanition. If I knew
Only the herbs and simples of the wood,
Rue, cinquefoil, gill, vervain, and pimpernel,
Blue-vetch, and trillium, hawkweed, sassafras,
Milkweeds, and murky brakes, quaint pipes and sundew,
And rare and virtuous roots, which in these woods
Draw untold juices from the common earth,
Untold, unknown, and I could surely spell
Their fragrance, and their chemistry apply
By sweet affinities to human flesh,
Driving the foe and stablishing the friend,—
O that were much, and I could be a part
Of the round day, related to the sun,
And planted world, and full executor
Of their imperfect functions.
But these young scholars who invade our hills,
Bold as the engineer who fells the wood,
And travelling often in the cut he makes,
Love not the flower they pluck, and know it not,
And all their botany is Latin names.
The old men studied magic in the flower,
And human fortunes in astronomy,
And an omnipotence in chemistry,
Preferring things to names, for these were men,
Were unitarians of the united world,
And wheresoever their clear eyebeams fell,
They caught the footsteps of the SAME. Our eyes
Are armed, but we are strangers to the stars,
And strangers to the mystic beast and bird,
And strangers to the plant and to the mine;
The injured elements say, Not in us;
And night and day, ocean and continent,
Fire, plant, and mineral say, Not in us,
And haughtily return us stare for stare.
For we invade them impiously for gain,
We devastate them unreligiously,
And coldly ask their pottage, not their love,
Therefore they shove us from them, yield to us
Only what to our griping toil is due;
But the sweet affluence of love and song,
The rich results of the divine consents
Of man and earth, of world beloved and lover,
The nectar and ambrosia are withheld;
And in the midst of spoils and slaves, we thieves
And pirates of the universe, shut out
Daily to a more thin and outward rind,
Turn pale and starve. Therefore to our sick eyes,
The stunted trees look sick, the summer short,
Clouds shade the sun, which will not tan our hay.
And nothing thrives to reach its natural term,
And life, shorn of its venerable length,
Even at its greatest space, is a defeat,
And dies in anger that it was a dupe,
And, in its highest noon and wantonness,
Is early frugal like a beggar’s child:
With most unhandsome calculation taught,
Even in the hot pursuit of the best aims
And prizes of ambition, checks its hand,
Like Alpine cataracts, frozen as they leaped,
Chilled with a miserly comparison
Of the toy’s purchase with the length of life.

-Ralph Waldo Emerson

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