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copped
his snake hair coils
beneath knit caps
and smoke stained
upper lips.

his knick-knack veins
pumping copper blood
in disregard
to my cold
caring eyes…

(follow my last
smoke filled
inhalation…
…and find me,
with your palms
pressed against flat
glass – let me count
your lifelines)

i want
to be sure
you outlive me.

Hannah Waterman (emerging poet from Western New York)

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1

The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: —
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self—chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?—
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow’s foot lay surely gold,
And hope felt strong and life itself not weak.

2

Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.

3

Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time’s winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?

-Christina Rossetti

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The light the light as if there were but one

Falling in less than sphere direction yet

Slithering about the unseen modes formed

And forgotten on the windward side of

Prime so thankful to find us patient and

From the mouths of dreaming giants a cold

Black logic solid converse of shadow

Drips a torment not not sublime in its

Saccharine and relative spite torched as witch

Practice knows while shade defines edges bent

To purpose and teas brew adjacent on

Slabs called less than shrine as if there were but

Chairs to remedy this musical sort

Of lonely men standing left at games end

.

“of lonely men standing left at games end”

 

-Robert David Williams

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When snow falls against the window,
Long sounds the evening bell…
For so many has the table
Been prepared, the house set in order.

From their wandering, many
Come on dark paths to this gateway.
The tree of grace is flowering in gold
Out of the cool sap of the earth.

In stillness, wanderer, step in:
Grief has worn the threshold into stone.
But see: in pure light, glowing
There on the table: bread and wine.

-Georg Trakl

The Poems of Georg Trakl

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I

The Owl and the Pussy-cat went to sea
In a beautiful pea green boat,
They took some honey, and plenty of money,
Wrapped up in a five pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
‘O lovely Pussy! O Pussy my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!’

II

Pussy said to the Owl, ‘You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?’
They sailed away, for a year and a day,
To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

III

‘Dear pig, are you willing to sell for one shilling
Your ring?’ Said the Piggy, ‘I will.’
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

 

-Edward Lear

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Enough

It’s a gift, this cloudless November morning
warm enough for you to walk without a jacket
along your favorite path. The rhythmic shushing
of your feet through fallen leaves should be
enough to quiet the mind, so it surprises you
when you catch yourself telling off your boss
for a decade of accumulated injustices,
all the things you’ve never said circling inside you.

It’s the rising wind that pulls you out of it,
and you look up to see a cloud of leaves
swirling in sunlight, flickering against the blue
and rising above the treetops, as if the whole day
were sighing, Let it go, let it go,
for this moment at least, let it all go.

-Jeffrey Harrison

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Witch-Wife

She is neither pink nor pale,
And she never will be all mine;
She learned her hands in a fairy-tale,
And her mouth on a valentine.

She has more hair than she needs;
In the sun ’tis a woe to me!
And her voice is a string of colored beads,
Or steps leading into the sea.

She loves me all that she can,
And her ways to my ways resign;
But she was not made for any man,
And she never will be all mine.

-Edna St. Vincent Millay

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Helian

In the spirit’s solitary hours
It is lovely to walk in the sun
Along the yellow walls of summer.
Quietly whisper the steps in the grass; yet always sleeps
The son of Pan in the grey marble.

At eventide on the terrace we got drunk on brown wine
The red peach glows under the foliage.
Tender sonata, joyous laughter.

Lovely is this silence of the night.
On the dark plains
We gather with shepherds and the white stars.

When autumn rises
The grove is a sight of sober clarity.
Along the red walls we loiter at ease
And the round eyes follow the flight of birds.
In the evening pale water gathers in the dregs of burial urns.

Heaven celebrates, sitting in bare branches.
In hallowed hands the yeoman carries bread and wine
And fruit ripens in the peace of a sunny chamber.

Oh how stern is the face of the beloved who have taken their passage.
Yet the soul is comforted in righteous meditation.

Overwhelming is the desolated garden‘s secrecy,
As the young novice has wreathed his brow with brown leaves,
His breath inhales icy gold.

The hands touch the antiquity of blueish water
Or in a cold night the sisters’ white cheeks.

In quiet and harmony we walk along a suite of hospitable rooms
Into solitude and the rustling of maple trees,
Where, perhaps, the thrush still sings.

Beautiful is man and emerging from the dark
He marvels as he moves his arms and legs,
And his eyes quietly roll in purple cavities.

At suppertime a stranger loses himself in November’s black destitution;
Under brittle branches he follows a wall covered under leprosy.
Once the holy brother went here,
Engrossed in the tender music of his madness.

Oh how lonely settles the evening-wind.
Dying away a man‘s head droops in the dark of the olive tree.

How shattering is the decline of a family.
This is the hour when the seer’s eyes are filled
With gold as he beholds the stars.

The evening’s descend has muffled the belfry‘s knell in silence;
Among black walls in the public place,
A dead soldier calls for a prayer.

Like a pale angel
The son enters his ancestor’s empty house.

The sisters have traveled far to the pale ancients.
At night, returned from their mournful pilgrimage,
He found them asleep under the columns of the hallway.

Oh hair stained with dung and worms
As his silver feet stepped on it
And on those who died in echoing rooms.

Oh you palms under midnight’s burning rain,
When the servants flogged those tender eyes with nettles,
The hollyhock’s early fruit
Beheld your empty grave in wonder.

Fading moons sail quietly
Over the sheets of the feverish lad,
Into the silence of winter.

At the bank of Kidron a great mind is lost in musing,
Under a tree, the tender cedar,
Stretched out under the father’s blue eyebrows,
Where a shepherd drives his flock to pastures at night.

Or there are screams which escape the sleep;
When an iron angel approaches man in the grove,
The holy man’s flesh melts over burning coals.

Purple wine climbs about the mud-cottage,
Sheaves of faded corn sing;
The buzz of bees; the crane’s flight.
In the evening the souls of the resurrected gather on rocky paths.

Lepers behold their image in dark water;
Or they lift the hemp of their dung soiled attire,
And weep to the soothing wind, as it drifts down from the rosy hill.

Slender maidens grope their way through the narrow lanes of night;
They hope for the gracious shepherd.
Tenderly, songs ring out from the huts on weekend.

Let the song pay homage to the boy,
To his madness to his white eyebrows and to his passage,
To the decaying corpse, who opened his blue eyes.
Oh how sad is this reunion.

The stairs of madness in black apartments –
The matriarch’s shadow emerged under the open door
When Helian’s soul beheld his image in a rosy mirror;
And from his brow bled snow and leprosy.

The walls extinguished the stars
And the white effigies of light.

From the carpet rise skeletons, escaping their graves,
Fallen crosses sit silent on the hill,
The night’s purple wind is sweet with frankincense.

Oh ye broken eyes over black gaping jaws,
When the grandson in the solitude
Of his tender madness muses over a darker ending,
The blue eyelids of the silent god sink upon him.

-Georg Trakl

The Poems of Georg Trakl

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