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I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.

II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch ‘gin write my epitaph
For pastime in the dusty thoroughfare.

III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.

IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.

V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, (‘since all is o’er,’ he saith
And the blow fallen no grieving can amend;’)

VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.

VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among ‘The Band’ to wit,
The knights who to the Dark Tower’s search addressed
Their steps – that just to fail as they, seemed best,
And all the doubt was now – should I be fit?

VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.

IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O’er the safe road, ’twas gone; grey plain all round;
Nothing but plain to the horizon’s bound.
I might go on, naught else remained to do.

X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers – as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You’d think; a burr had been a treasure trove.

XI.
No! penury, inertness and grimace,
In some strange sort, were the land’s portion. ‘See
Or shut your eyes,’ said Nature peevishly,
It nothing skills: I cannot help my case:
‘Tis the Last Judgement’s fire must cure this place
Calcine its clods and set my prisoners free.’

XII.
If there pushed any ragged thistle-stalk
Above its mates, the head was chopped, the bents
Were jealous else. What made those holes and rents
In the dock’s harsh swarth leaves, bruised as to baulk
All hope of greenness? Tis a brute must walk
Pashing their life out, with a brute’s intents.

XIII.
As for the grass, it grew as scant as hair
In leprosy; thin dry blades pricked the mud
Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare,
Stood stupified, however he came there:
Thrust out past service from the devil’s stud!

XIV.
Alive? he might be dead for aught I knew,
With that red gaunt and colloped neck a-strain.
And shut eyes underneath the rusty mane;
Seldom went such grotesqueness with such woe;
I never saw a brute I hated so;
He must be wicked to deserve such pain.

XV.
I shut my eyes and turned them on my heart,
As a man calls for wine before he fights,
I asked one draught of earlier, happier sights,
Ere fitly I could hope to play my part.
Think first, fight afterwards, the soldier’s art:
One taste of the old time sets all to rights.

XVI.
Not it! I fancied Cuthbert’s reddening face
Beneath its garniture of curly gold,
Dear fellow, till I almost felt him fold
An arm to mine to fix me to the place,
The way he used. Alas, one night’s disgrace!
Out went my heart’s new fire and left it cold.

XVII.
Giles then, the soul of honour – there he stands
Frank as ten years ago when knighted first,
What honest man should dare (he said) he durst.
Good – but the scene shifts – faugh! what hangman hands
Pin to his breast a parchment? His own bands
Read it. Poor traitor, spit upon and curst!

XVIII.
Better this present than a past like that:
Back therefore to my darkening path again!
No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat?
I asked: when something on the dismal flat
Came to arrest my thoughts and change their train.

XIX.
A sudden little river crossed my path
As unexpected as a serpent comes.
No sluggish tide congenial to the glooms;
This, as it frothed by, might have been a bath
For the fiend’s glowing hoof – to see the wrath
Of its black eddy bespate with flakes and spumes.

XX.
So petty yet so spiteful! All along,
Low scrubby alders kneeled down over it;
Drenched willows flung them headlong in a fit
Of mute despair, a suicidal throng:
The river which had done them all the wrong,
Whate’er that was, rolled by, deterred no whit.

XXI.
Which, while I forded – good saints, how I feared
To set my foot upon a dead man’s cheek,
Each step, of feel the spear I thrust to seek
For hollows, tangled in his hair or beard!
– It may have been a water-rat I speared,
But, ugh! it sounded like a baby’s shriek.

XXII.
Glad was I when I reached the other bank.
Now for a better country. Vain presage!
Who were the strugglers, what war did they wage,
Whose savage trample thus could pad the dank
soil to a plash? Toads in a poisoned tank
Or wild cats in a red-hot iron cage –

XXIII.
The fight must so have seemed in that fell cirque,
What penned them there, with all the plain to choose?
No footprint leading to that horrid mews,
None out of it. Mad brewage set to work
Their brains, no doubt, like galley-slaves the Turk
Pits for his pastime, Christians against Jews.

XXIV.
And more than that – a furlong on – why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel – that harrow fit to reel
Men’s bodies out like silk? With all the air
Of Tophet’s tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.

XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood –
Bog, clay and rubble, sand, and stark black dearth.

XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil’s
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.

XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon’s bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap – perchance the guide I sought.

XXVIII.
For, looking up, aware I somehow grew,
‘Spite of the dusk, the plain had given place
All round to mountains – with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me – solve it, you!
How to get from them was no clearer case.

XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when –
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts – you’re inside the den.

XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain … Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!

XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool’s heart,
Built of brown stone, without a counterpart
In the whole world. The tempest’s mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.

XXXII.
Not see? because of night perhaps? – why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, –
‘Now stab and end the creature – to the heft!’

XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers –
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.

XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. ‘Childe Roland to the Dark Tower came.’

-Robert Browning

LAST DAY OF  National Poetry Month! Day 30

Poem submitted by Carrie Lefler

Float or Sink

Cold and frozen over
The look that was once there
The sparkle in the eyes
The lust for life…gone.
Only momentarily regained
When the right combination of chemistry is found
Ups and downs
Uppers and downers
The limbo in between
Ahhh. That lovely limbo appearing every so often
To give me a bliss that I will shortly miss
That place in between
The grey area
No black, no white
Just grey like the color of my heart

I want it all, but there’s a wall that holds me back
Just like the prison I’m in
The prisons my skin
Sometimes I feel like I’m crawling right out of it
I never quite escape
I numb the discomfort before I even get a chance
To set myself free
Set myself free from the me that’s not me
Cycle…cycle….over and over
I feel like I’m getting closer and closer
To all of the things that scare me the most
I’m a walking, talking, living ghost
Transparent to all who look at me
I’m here, but no one can see what’s wrong with me
I’m standing on the brink
Now I decide…
Do I float or do I sink?

-Carrie Lefler

National Poetry Month, Day 18

Submitted by Dot Tom Cafe

Biography of a Bipolar

At first friends share the ecstasy that comes before the burn:

“That night he was going crazy everyone

was too drunk to care.”

But after years all learn:

“His conversation grew brilliant and alarming.

Students were frightened by his lecture on Hitler.”

“He wrote the most pitiful letter;

though I was not angry, he spoke of us fighting.”

“His religious notions, never stable, flowered

into oddity; his judgment went haywire.”

“He was barricaded in his room in his skivvies when the police came;

he was surprisingly polite.”

The poet obligingly provides snapshots from hell:

“I meditated Detachment and Urbanity but the old menacing

hilarity was growing in me.”

“What use is my sense of humor when the brain blinks

like a radio station rapidly distanced?”

“I lay there secured but for my skipping mind.”

After the delusions pass, he lacerates his soul with reason:

“Seven years ago Bloomington stood for Joyce’s hero and Indiana for

the evil, unexorcised aborigines, while I suspected myself

The Holy Ghost. The glory and banality of it are corrupting.”

The poet’s wife learns to suffer a fool who falls in love

with students, madhouse nurses,

any woman but her:

“I don’t think he realizes the damage.”

New drugs offer old hopes of Panacea:

“To think of all that suffering for lack of a little salt in the brain!”

Theories suffer the usual changes:

“Recent research shows mania’s a summertime dis­ease,

perhaps an excess of light.”

-Tom McClellan

Podcast:

http://bonniem.podbean.com/2011/02/03/biography-of-a-bipolar-by-tom-mcclellan/

National Poetry Month, Day 16

Submitted by Sandra Price

Symphony of the Seasons

Spring’s song bursts forth in warbled note,
As woodland sports a light green coat.

Hot Summer hums and croaks and trills.
Her gentle breeze too quickly stills.

Crisp rustling leaves and wild geese call
Announce that Summer’s bowed to Fall.

As north winds howl and nights grow long,
Old Winter dreams of Spring’s sweet song.

-Sandra Price

National Poetry Month, Day 14

Submitted by Mark Cox

I saw her through the prism of winter
In the dawn slivers of ice coated branches
In a dust of clear crystals swept skyward by God’s breath
In spectral glacial mists dancing through a ray

In the luminescent glint of glistening frosts
In twinkling drifts between cattails and river sedge
In dangling droplets from icicles beneath sheer cliffs
In a majestic frozen weave of nested emerald moss

Perhaps she flew but once, around a silver moon
glomming iridescent halo dust into a palm
Perhaps she puffed and rainbow detritus was strewn
Upon the mountains while the earth was calm

She is wind across red bee-balm, and Indian paintbrush
She is the orange firelight of Turks- cap and the flame azalea
She is sun bounced from lady slippers and yellow Jessamine
She is rain taps upon the greenbriar and striped maple
She is the dew- mist on wild chicory and Virginia bluebells
She is the healer in wild indigo and Curtiss milkwort
She is the scent of wild rhododendron and the blazing star

A vernal maiden has kissed my mountain
But I saw her first through the prism of winter.

 

Mark Cox

National Poetry Month, Day 11

Submitted by Mukul Pandya

A Sort of Prayer

On rage-filled nights, I reinvent you, my god
And spew angry bile at your black-hole divinity.
Leave what is vile,
Absorb what calms
Like a wash of sleep after a nightmare.

Had I faith, I would pray – not to a formless void
That contains galaxies, but to all that is
Gentle in us.
And praying, re-awaken my spirit
From numbess, the distance of fear.

Teach me, o sky-faced god, to pray:
Teach me words that do not spin in futile orbits
Around the universe, but touch
What is best in me.

-Mukul Pandya

National Poetry Month, Day 9

Submitted by Aaron Landcastle

 

ah oh let me love you
let me be the first to mourn
on an ennui tomb
in your proud red summer later

whilst the frolic ends

ah or have you sprawled over the midst
telling me less mangy at first
your prayer

besides
I am where the light goes
the stuff it ebbed my sigh
true my days caged foxing up a hole
oh caring this an that
for sheer obedience
for the laughter hence my laughter
in a thicket of breath
breathing my airs of impulse
hair twiggy in the frozen thump
for I am oh so
not for whipping out a lute
also freakish with a bone
I must’ve lost that lute in a bone wager
gambling all
black as stench
in the faroff your nose is lost

fish-eye beyond me my heavenly Williams looks
he’ll shave a copper spoon for right
and place that suck
near his bosom shine bloody
whoever who shall watch him prove
who dies will
let the light burst in through the dark oak dampy doorwell
and the shadows flitter up the beams
chasing you
seeming to melt that old precious old room into us
nude upon a hush
ah hark
I demand a poisoned summer

 

Aaron Landcastle

National Poetry Month, Day 8

Submitted by Mel Clifford

When I am worried I cannot write

I think and worry about the kids each night

Yet so young and they think they are old

Big enough not to do what they are told

With each year they become so big

Always wanting to do their own gig

As a parent they will never know

How difficult it is to let them go

Why do you worry in this day and age

Each day they grow exploring another stage

Yet I worry all the time

Because I want to protect them as they are mine

So when does this pain go away or awful fright

That something may happen to them one night

When I was young I was just the same

So let them go to play life’s game

Mel Clifford

National Poetry Month, Day 7

Submitted by Hannah Waterman

(he wears rude billboards for wrists, an easy guarantee)

we lick – black air beside whiskey, lips reflecting plum lines

him – tasting more like stale cigarettes than a hurricane’s mortal pride

(while my expression leaks atmospheres – camouflaging his bouquet of fire)

our silhouettes penciled together above colour’s loyal surrender

(he smiles from right to wrong)

unraveling my bare spine’s shouldered-switchblades

and darning the keen curiosity that stiffly fiddles restraint,

clouding each other’s modern science

 

Hannah Waterman

National Poetry Month, Day 5

Submitted by Robert David Williams

my hands were first loves and we never stopped dreaming of blurred joys a plastic world hurling itself in begging begging to be tensile to the latest disciple supple curls realized in throes along with the unyielding betting betting dear in hopes that we would never learn of anything harder while tools and glues tarried knowing the day for solution sauntered apiece with the horror ideal that well is not all and walls are but pretexts the limits of the stage and we are but playing little little do we get to apprehend until too too and ages later i’ve got mother dirt for you now some crocus blossom to thrust through your fertile folds of surface your tension better sundered and rude beauty as i was a plant once crawling blind from the surf to seek the attentive two have been everything and through the star stuff i’ve caught sight of other coined sides interim my will water filling as gravity lent and refracted by the wont this vessel demands and who am i to pull at the tiller i say as you say and neither captain and though works pray to be done we today are idols painted in each our image own we we retire to our corners pretending to have disagreed when a stone has but presented itself before the plow

“blurred joys”

-Robert David Williams

(to read more poems by Robert David Williams, click here)