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Sadie and Maud

Maud went to college.
Sadie stayed home.
Sadie scraped life
With a fine toothed comb.

She didn’t leave a tangle in
Her comb found every strand.
Sadie was one of the livingest chicks
In all the land.

Sadie bore two babies
Under her maiden name.
Maud and Ma and Papa
Nearly died of shame.

When Sadie said her last so-long
Her girls struck out from home.
(Sadie left as heritage
Her fine-toothed comb.)

Maud, who went to college,
Is a thin brown mouse.
She is living all alone
In this old house.

-Gwendolyn Brooks

Lucinda Matlock

I went to the dances at Chandlerville,
And played snap-out at Winchester.
One time we changed partners,
Driving home in the moonlight of middle June,

And then I found Davis.
We were married and lived together for seventy years,
Enjoying, working, raising the twelve children,
Eight of whom we lost

Ere I had reached the age of sixty.
I spun, I wove, I kept the house, I nursed the sick,
I made the garden, and for holiday
Rambled over the fields where sang the larks,
And by Spoon River gathering many a shell,
And many a flower and medicinal weed—
Shouting to the wooded hills, singing to the green valleys.
At ninety-six I had lived enough, that is all,
And passed to a sweet repose.

What is this I hear of sorrow and weariness,
Anger, discontent and drooping hopes?
Degenerate sons and daughters,
Life is too strong for you—
It takes life to love Life.

-Edgar Lee Masters

The Writer

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.

I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash

And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark

And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,

And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,

It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.

It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.

-Richard Wilbur

A precious — mouldering pleasure — ’tis —
To meet an Antique Book —
In just the Dress his Century wore —
A privilege — I think —

His venerable Hand to take —
And warming in our own —
A passage back — or two — to make —
To Times when he — was young —

His quaint opinions — to inspect —
His thought to ascertain
On Themes concern our mutual mind —
The Literature of Man —

What interested Scholars — most —
What Competitions ran —
When Plato — was a Certainty —
And Sophocles — a Man —

When Sappho — was a living Girl —
And Beatrice wore
The Gown that Dante — deified —
Facts Centuries before

He traverses — familiar —
As One should come to Town —
And tell you all your Dreams — were true —
He lived — where Dreams were born —

His presence is Enchantment —
You beg him not to go —
Old Volume shake their Vellum Heads
And tantalize — just so —

-Emily Dickinson

Dolor

I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate grey standard faces.

-Theodore Roethke

Color of the flower
Has already faded away,
While in idle thoughts
My life passes vainly by,
As I watch the long rains fall.

-Ono no Komachi

Her Reply

IF all the world and love were young,
And truth in every shepherd’s tongue,
These pretty pleasures might me move
To live with thee and be thy Love.

But Time drives flocks from field to fold;
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complains of cares to come.

The flowers do fade, and wanton fields
To wayward Winter reckoning yields:
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.

Thy gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies,
Soon break, soon wither–soon forgotten,
In folly ripe, in reason rotten.

Thy belt of straw and ivy-buds,
Thy coral clasps and amber studs,–
All these in me no means can move
To come to thee and be thy Love.

But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee and be thy Love.

-Sir Walter Raleigh

Achill

I lie and imagine a first light gleam in the bay
  After one more night of erosion and nearer the grave,
Then stand and gaze from the window at break of day
  As a shearwater skims the ridge of an incoming wave;
And I think of my son a dolphin in the Aegean,
  A sprite among sails knife-bright in a seasonal wind,
And wish he were here where currachs walk on the ocean
  To ease with his talk the solitude locked in my mind.

I sit on a stone after lunch and consider the glow
  Of the sun through mist, a pearl bulb containèdly fierce;
A rain-shower darkens the schist for a minute or so
  Then it drifts away and the sloe-black patches disperse.
Croagh Patrick towers like Naxos over the water
  And I think of my daughter at work on her difficult art
And wish she were with me now between thrush and plover,
  Wild thyme and sea-thrift, to lift the weight from my heart.

The young sit smoking and laughing on the bridge at evening
  Like birds on a telephone pole or notes on a score.
A tin whistle squeals in the parlour, once more it is raining,
  Turf-smoke inclines and a wind whines under the door;
And I lie and imagine the lights going on in the harbor
  Of white-housed Náousa, your clear definition at night,
And wish you were here to upstage my disconsolate labour
  As I glance through a few thin pages and switch off the light.


-Derek Mahon

She

I think the dead are tender. Shall we kiss? –
My lady laughs, delighting in what is.
If she but sighs, a bird puts out its tongue.
She makes space lonely with a lovely song.
She lilts a low soft language, and I hear
Down long sea-chambers of the inner ear.

We sing together; we sing mouth to mouth.
The garden is a river flowing south.
She cries out loud the soul’s own secret joy;
She dances, and the ground bears her away.
She knows the speech of light, and makes it plain
A lively thing can come to life again.

I feel her presence in the common day,
In that slow dark that widens every eye.
She moves as water moves, and comes to me,
Stayed by what was, and pulled by what would be.

-Theodore Roethke

Not Waving But Drowning

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

-Stevie Smith