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Archive for the ‘Write’ Category

Of Hands and Moons

From nothing that cheats and twists
To nothing of me that falls asleep
Of me that falls asleep, the tidying of pain
Folded in the shadow of my fear;
is it here that I dream of the dead?

A hand in the sunset from which I fall asleep
From which I fall asleep,
will take the time of a full journey of terrors
That will pay the price of a tissue of heat
Thrown at the feet of the thieves
To wrap myself in what I dream of the dead.

-Jean-Pierre Duprey, from 4×1. Buy 4×1 today.

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Mirabeau Bridge

Under Mirabeau Bridge the river slips away

And lovers

Must I be reminded

Joy came always after pain

The night is a clock chiming

The days go by not I

We’re face to face and hand in hand

While under the bridges

Of embrace expire

Eternal tired tidal eyes

The night is a clock chiming

The days go by not I

Love elapses like the river

Love goes by

Poor life is indolent

And expectation always violent

The night is a clock chiming

The days go by not I

The days and equally the weeks elapse

The past remains the past

Love remains lost

Under Mirabeau Bridge the river slips away

The night is a clock chiming

The days go by not I

-by Guillaume Apollinaire (Translated by Donald Revell)

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The Aloneness in which I have anchored myself for the last twenty years must not become an exception, a “vacation” which, adducing many justifications, I would have to beg from a supervising happiness. I must live in it without any boundaries. It has to remain this ground of consciousness, to which I can always return, without intending a quick gain here and now, without expecting that it should prove fertile for me; but involuntarily, unstressed, innocent: as to the place I belong to.

4X1: Works by Tristan Tzara, Rainer Maria Rilke, Jean-Pierre Duprey, and Habib Tengour

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Artist, do not believe that your test lies in the work. You are not what you pretend to be, and what this or that one, not knowing any better, may take you for, until the work has become your very nature to such an extent that you cannot do otherwise than prove yourself in it. Working thus, you are the masterly thrown spear: laws from Her throwing hand receive you, and together you hit the target: what could be more certain than your flight?

Your test, however, is that you are not always thrown. That the spear-player Loneliness does not choose you for the longest time, that She forgets you. This is the time of temptation, when you feel unused, incapable. (As if being reading as not work enough!) Then, when you do not lie there very heavily, diversions exercise you and try to see to what other uses you can be put. As a blind man’s staff, as one of the rods in a grating, or as the balancing pole of a tight-rope walker. Or else they are capable of planting you in the soil of fate, for the miracle of the seasons to happen to you and for you perhaps to sprout small green leaves of happiness….

-Rainer Maria Rilke, from 4X1: Works by Tristan Tzara, Rainer Maria Rilke, Jean-Pierre Duprey, and Habib Tengour

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All these refusals, do not forget it, my love, have to do with your power. If I were free, if my heart were not bound like a star into the relationships of the irrefutable spirit, then every word, from which rebellion in formed here, denial, complaint – would be Your fame, crossing over to You, agreement, the rush toward you – fall and resurrection in You.

If I were a man of graspable compass, a merchant, a teacher of comprehensible things, an artisan….

-Rainer Maria Rilke, from 4X1: Works by Tristan Tzara, Rainer Maria Rilke, Jean-Pierre Duprey, and Habib Tengour

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If I did not resist the lover, it was because of all the takeovers of one person by anothers, hers alone, unstoppable, seemed to me to be right. Exposed as I am, I did not want to avoid it either; but I yearned to pierce her! That she be a window for me into the expanded cosmos of Being…(not mirror.)

-Ranier Maria Rilke, from 4X1: Works by Tristan Tzara, Rainer Maria Rilke, Jean-Pierre Duprey, and Habib Tengour

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Marginalia

I am always trying to die
not big deaths, but small
deaths with paper and hard-cover books
deaths with envelopes and swirly-que doodles
deaths with text and the margins of thought
that can never hang from my head and never be wrought

I am always withering at one branch
like a sick gull’s wing
I am always tying one foot to the long rope
that drags from the ferryman’s boat
I ask for forgiveness, but I only want the broken glass
I’ve only ever wanted to take what was inside
and throw it in your face

to ask you to tell me you see it too,
and then to be done with the things that almost speak
and be done with wondering when the curtain will drop
just repairing to the afterlife with this stick
and some sand to scratch no symbols in.

-Nina Alvarez

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Today’s poem was submitted by a reader in Sri Lanka: M. Rezvi Omerdeen

The Lady I Adore

Gazing at the moon,
Posing from the Balcony,
Wearing the richest costume,
And a charming smile.
Humming like a mermaid,
In a romantic way,
Feet tapping rhythmically.
For a love-song of some sort.
Whom she’s looking for,
And her notions?
I’m eager to know,
‘Cause she’s
The lady I adore

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Reading Biographies

Perhaps Frost was poking his secretary,

The apple core of his good-living chewed

To the bitter seed. Perhaps he buttoned up,

Disgusted with the dead lizard cupped in his palm.

And his woman? She was as large as Gilbraltar,

A chunk of cheese in each armpit.

She took a deep breath

And wiggled the goose of her tasty fanny

Into the kitchen. There, she poured pancakes

Onto a skillet as old as this country,

And Frost, a pioneer for all writers,

Picked up his beaver-thrashed pencil and proclaimed,

O Sweet Youth, etc.

I don’t know how to read

Biographies, the dead words of dead writers

Etched on my eyes, then gone. I read them,

And drive my car recklessly through leaves,

The cushion for my own eventual death.

Sure, I reflect, like a chip of mirror,

And then I forget them, these subjects,

These writers with lungs and straight-A penmanship.

They’re of no use. I’m not saved

By the repetitions of jealousy and all-day drinking.

Wind frisked the trees, hair fell like wheat,

And the liver, saddlebag of disease,

Bulged with inoperable knots.

I touch my own hip, then hobble home

Where a pumpkin glows in a window.

Birds shrug into their coats of dirt.

Crickets stop the violin action of their thighs.

A fire is built, and I’m lit in the living room.

I’m a democrat, I slur to the couch,

And add, Venus is a star and fly trap.

Thank God, I’ve learned nothing.

– Gary Soto

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Finally, Halloween is here! Thank you for journeying through a month of pumpkins and leaves and fall days and somber mornings and chill afternoons and eerie nights with me. What a wonderful month of macabre and celebratory poems to remind us of autumn and Halloween. Now, for our grand finale…Edgar Allan Poe’s “The Raven.”

The Raven

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`’Tis some visitor,’ I muttered, `tapping at my chamber door –
Only this, and nothing more.’

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; – vainly I had sought to borrow
From my books surcease of sorrow – sorrow for the lost Lenore –
For the rare and radiant maiden whom the angels named Lenore –
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me – filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`’Tis some visitor entreating entrance at my chamber door –
Some late visitor entreating entrance at my chamber door; –
This it is, and nothing more,’

Presently my soul grew stronger; hesitating then no longer,
`Sir,’ said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you’ – here I opened wide the door; –
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!’
This I whispered, and an echo murmured back the word, `Lenore!’
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,’ said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore –
Let my heart be still a moment and this mystery explore; –
‘Tis the wind and nothing more!’

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door –
Perched upon a bust of Pallas just above my chamber door –
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,’ I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore –
Tell me what thy lordly name is on the Night’s Plutonian shore!’
Quoth the raven, `Nevermore.’

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning – little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door –
Bird or beast above the sculptured bust above his chamber door,
With such name as `Nevermore.’

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered – not a feather then he fluttered –
Till I scarcely more than muttered `Other friends have flown before –
On the morrow he will leave me, as my hopes have flown before.’
Then the bird said, `Nevermore.’

Startled at the stillness broken by reply so aptly spoken,
`Doubtless,’ said I, `what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore –
Till the dirges of his hope that melancholy burden bore
Of “Never-nevermore.”‘

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore –
What this grim, ungainly, gaunt, and ominous bird of yore
Meant in croaking `Nevermore.’

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
`Wretch,’ I cried, `thy God hath lent thee – by these angels he has sent thee
Respite – respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!’
Quoth the raven, `Nevermore.’

`Prophet!’ said I, `thing of evil! – prophet still, if bird or devil! –
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted –
On this home by horror haunted – tell me truly, I implore –
Is there – is there balm in Gilead? – tell me – tell me, I implore!’
Quoth the raven, `Nevermore.’

`Prophet!’ said I, `thing of evil! – prophet still, if bird or devil!
By that Heaven that bends above us – by that God we both adore –
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels named Lenore –
Clasp a rare and radiant maiden, whom the angels named Lenore?’
Quoth the raven, `Nevermore.’

`Be that word our sign of parting, bird or fiend!’ I shrieked upstarting –
`Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! – quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!’
Quoth the raven, `Nevermore.’

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted – nevermore!

-Edgar Allan Poe

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