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Archive for the ‘poet’ Category

National Poetry Month, Day 16

Submitted by Sandra Price

Symphony of the Seasons

Spring’s song bursts forth in warbled note,
As woodland sports a light green coat.

Hot Summer hums and croaks and trills.
Her gentle breeze too quickly stills.

Crisp rustling leaves and wild geese call
Announce that Summer’s bowed to Fall.

As north winds howl and nights grow long,
Old Winter dreams of Spring’s sweet song.

-Sandra Price

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National Poetry Month, Day 14

Submitted by Mark Cox

I saw her through the prism of winter
In the dawn slivers of ice coated branches
In a dust of clear crystals swept skyward by God’s breath
In spectral glacial mists dancing through a ray

In the luminescent glint of glistening frosts
In twinkling drifts between cattails and river sedge
In dangling droplets from icicles beneath sheer cliffs
In a majestic frozen weave of nested emerald moss

Perhaps she flew but once, around a silver moon
glomming iridescent halo dust into a palm
Perhaps she puffed and rainbow detritus was strewn
Upon the mountains while the earth was calm

She is wind across red bee-balm, and Indian paintbrush
She is the orange firelight of Turks- cap and the flame azalea
She is sun bounced from lady slippers and yellow Jessamine
She is rain taps upon the greenbriar and striped maple
She is the dew- mist on wild chicory and Virginia bluebells
She is the healer in wild indigo and Curtiss milkwort
She is the scent of wild rhododendron and the blazing star

A vernal maiden has kissed my mountain
But I saw her first through the prism of winter.

 

Mark Cox

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National Poetry Month, Day 11

Submitted by Mukul Pandya

A Sort of Prayer

On rage-filled nights, I reinvent you, my god
And spew angry bile at your black-hole divinity.
Leave what is vile,
Absorb what calms
Like a wash of sleep after a nightmare.

Had I faith, I would pray – not to a formless void
That contains galaxies, but to all that is
Gentle in us.
And praying, re-awaken my spirit
From numbess, the distance of fear.

Teach me, o sky-faced god, to pray:
Teach me words that do not spin in futile orbits
Around the universe, but touch
What is best in me.

-Mukul Pandya

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National Poetry Month, Day 9

Submitted by Aaron Landcastle

 

ah oh let me love you
let me be the first to mourn
on an ennui tomb
in your proud red summer later

whilst the frolic ends

ah or have you sprawled over the midst
telling me less mangy at first
your prayer

besides
I am where the light goes
the stuff it ebbed my sigh
true my days caged foxing up a hole
oh caring this an that
for sheer obedience
for the laughter hence my laughter
in a thicket of breath
breathing my airs of impulse
hair twiggy in the frozen thump
for I am oh so
not for whipping out a lute
also freakish with a bone
I must’ve lost that lute in a bone wager
gambling all
black as stench
in the faroff your nose is lost

fish-eye beyond me my heavenly Williams looks
he’ll shave a copper spoon for right
and place that suck
near his bosom shine bloody
whoever who shall watch him prove
who dies will
let the light burst in through the dark oak dampy doorwell
and the shadows flitter up the beams
chasing you
seeming to melt that old precious old room into us
nude upon a hush
ah hark
I demand a poisoned summer

 

Aaron Landcastle

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National Poetry Month, Day 8

Submitted by Mel Clifford

When I am worried I cannot write

I think and worry about the kids each night

Yet so young and they think they are old

Big enough not to do what they are told

With each year they become so big

Always wanting to do their own gig

As a parent they will never know

How difficult it is to let them go

Why do you worry in this day and age

Each day they grow exploring another stage

Yet I worry all the time

Because I want to protect them as they are mine

So when does this pain go away or awful fright

That something may happen to them one night

When I was young I was just the same

So let them go to play life’s game

Mel Clifford

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National Poetry Month, Day 7

Submitted by Hannah Waterman

(he wears rude billboards for wrists, an easy guarantee)

we lick – black air beside whiskey, lips reflecting plum lines

him – tasting more like stale cigarettes than a hurricane’s mortal pride

(while my expression leaks atmospheres – camouflaging his bouquet of fire)

our silhouettes penciled together above colour’s loyal surrender

(he smiles from right to wrong)

unraveling my bare spine’s shouldered-switchblades

and darning the keen curiosity that stiffly fiddles restraint,

clouding each other’s modern science

 

Hannah Waterman

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National Poetry Month, Day 5

Submitted by Robert David Williams

my hands were first loves and we never stopped dreaming of blurred joys a plastic world hurling itself in begging begging to be tensile to the latest disciple supple curls realized in throes along with the unyielding betting betting dear in hopes that we would never learn of anything harder while tools and glues tarried knowing the day for solution sauntered apiece with the horror ideal that well is not all and walls are but pretexts the limits of the stage and we are but playing little little do we get to apprehend until too too and ages later i’ve got mother dirt for you now some crocus blossom to thrust through your fertile folds of surface your tension better sundered and rude beauty as i was a plant once crawling blind from the surf to seek the attentive two have been everything and through the star stuff i’ve caught sight of other coined sides interim my will water filling as gravity lent and refracted by the wont this vessel demands and who am i to pull at the tiller i say as you say and neither captain and though works pray to be done we today are idols painted in each our image own we we retire to our corners pretending to have disagreed when a stone has but presented itself before the plow

“blurred joys”

-Robert David Williams

(to read more poems by Robert David Williams, click here)

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National Poetry Month, Day 4

 

Poison Ivy

 

She ruined you.

with all of patience

Slowly.

Her delicate words

And warm embraces

Consumed your passion,

left you hollow.

But you, unaware

begged.

Begged for more.

She laughingly obliged.

You disappeared, since.

 

April Journals

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National Poetry Month, Day 2

Submitted by Mark Cox

She will agree, if you back her into a corner, that it is

Well past time to rejoin the living–memories are disembodied

Ghosts which after having been invited to lunch, decide to stay

The week usually–but her acquiescence, and nod, will come sheepishly half-hearted.

She has, for half a century now, consciously elected to remain

In the red-shuttered white farmhouse she helped Ed build

Where peals of laughter roaring from decades past

Resonate within the walls of her soul if nowhere else.

Quietly she slips her needle in and out of triangles and octagons

above a firkin box of thread spools, scissors, antique thimbles,

and puffy pin cushions.  Her concerto grosso– a cacophony of

cicadas,  katydids’, and the occasional whippoorwill– fills her senses

ten times better than some fancy concert hall ever might.

She wonders why–If the present is so wonderful–there is

Such a dearth of smiles nowadays.  Time was when smiles weren’t rationed

Into time blocks between puerile reality TV shows, mindless jabs

Of buttons on cellular phones, and catatonic sessions in front of

computer screens; somewhere along the line everyone had missed

the fact that with the indolent life of invention and ease

came the sudden death of personality and distinction.

She has heard every argument–for and against–

progress and convenience, and has concluded that an unfathomable

amount of benefit and virtue is to be gained in the effort of  life’s pursuits,

which she sums up in one of her succinct and rather quaint idioms:

If too much is freely handed out, it won’t be appreciated”and–

If a body ain’t careful will soon be expected.

She is excruciatingly aware that the opinions of Dr. Marie Thompson

With her crisp suit, spurious half-smile, and pointed questions

Carry a great deal of weight in determining whether she will remain

At home with her memories of Appalachia or be involuntarily admitted

To the Lifesteps Geriatric adult day services facility over in Kingsport

Where undoubtedly the song of the crickets, bullfrogs, and owls

Will be replaced by the chatter from the nurses’ station

Where bored coffee swilling workers will talk only

Among themselves and refuse to look at the magic mirrors

Which show them images of themselves a few years removed.

Ed has left her with ten thousand memories–good memories–

Any one of which on occasion will elicit a broad smile connoting

Some esoteric reason for its rapid and unexpected appearance to

A face punctuated by laugh lines, crow’s feet and well weathered crinkles

Situated–somehow beautifully–around two bright sapphires

which can still catch the light and dance with fire, as anyone

who happens to be watching her quilting beneath the Single porch-light fixture

with its dangling pull-string and dozen circling moths can attest.

She will admit that her life has been a hard go at times

But she allows that triumph through fire is to be preferred–

and is vastly more rewarding–than things that just show up.

Her and Ed were never ones to let life come to them, they reached

Out and grabbed it, squeezing every drop of happiness it would

Yield–and the Good Lord respected that–she surmises with

A reverential smile that confirms it as unquestionable truth.

She will a narrate a story flipping pages of scenic color

from a mind as of yet unravaged by Alzheimer’s

with a fervor and oratory style reserved For those twice blessed

with the gift of song and voice which she exercises beautifully:

She and Ed didn’t have the time to give the great depression much thought.

They waded Spicewood creek catching black Hellgrammites

And climbed a thousand trees gathering Catawba worms

To sell to the TVA workers headed up to the lake but they

Laughed and smiled together all along the journey.

Those smiles and laughter from a bright yesterday are now sewn into

A dozen tight and perfect ten-sided polygons cut

From the fabric of Ed’s old green shirt”and–from the

Fabric of memory.

She understands something about long term memory

that the doctors cannot grasp– The elderly

Only know of two roads:  the one by which the hayfields

Sway and the old schoolhouse stands,  running some

Two miles past Hayes filling Station winding upward

past Grayson’s weathered barn and it’s emerald cornfields

and onward to the single-lane bridge crossing Gilmer creek

which leads to home, and the one which leads to someplace

altogether dim and unfamiliar.

A choice has to be made; Forward to the swirling haze

Or back down the road toward home. And smiles.

-Mark Cox (originally posted at his blog XOCKRAM)

Mark Cox is  originally from Bristol, Tennessee (which, he says, might explain why the piece has a decidedly Appalachian flavor…)  Though he humbly called his piece “very amateur free-verse” I don’t see anything amateur in this poem. Tone, voice, imagery, and subject matter meld deftly to create a real experience for the reader. Don’t you agree?

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In honor of National Poetry Month, I will post only works submitted by readers and friends this month.

This is your chance to share your unpublished poem with the thousands of poetry lovers who visit this blog.

Submit ONE poem and include a link if you desire! You retain all rights to your work.

 

Ways to submit:

 

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