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They don’t teach you in college

how meaning can drain like

ink from a page.

When people are asking you to

grade their papers or

correct their spelling. When all the things you learned

poetry become nothing more than

clerical skills.

 

-Nina Alvarez

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Dropping a Name

Who were you when they sat around you? You had on a red skirt and braids in your hair. You waxed philosophic while drinking Pierre Joris’ wife’s white wine with a strawberry in it. You were just years out of suburbia but Charles Bernstein was at the party and you thought you should be known to him. You were sleeping with someone – Paul – a poet who turned out to be a beast. And you were leaving for South Africa soon. You had turned your whole world into a Burroughs painting, some interpretation of the Chelsea Hotel but always aware, it was the poor man’s Chelsea, Albany, NY, with poets who posed, with fuzzy eye-browed men of aged notoriety who kissed you on the lips good night. Who listened at you as you got drunker and drunker and spoke to them of meaning. Years later an engaged reporter for a Washington newspaper kissed you on New Years in Philadelphia before reporting on the Mummers Parade. Another night when you were just drunk enough to need to tell him how much it means to write, to read. How it all still matters. Then, like the others, he kisses you and you never see him again.

-Nina Alvarez

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Art

Give to barrows, trays, and pans
Grace and glimmer of romance;
Bring the moonlight into noon
Hid in gleaming piles of stone;
On the city’s paved street
Plant gardens lined with lilacs sweet;
Let spouting fountains cool the air,
Singing in the sun-baked square;
Let statue, picture, park, and hall,
Ballad, flag, and festival,
The past restore, the day adorn,
And make to-morrow a new morn.
So shall the drudge in dusty frock
Spy behind the city clock
Retinues of airy kings,
Skirts of angels, starry wings,
His fathers shining in bright fables,
His children fed at heavenly tables.
‘T is the privilege of Art
Thus to play its cheerful part,
Man on earth to acclimate,
And bend the exile to his fate,
And, moulded of one element
With the days and firmament,
Teach him on these as stairs to climb,
And live on even terms with Time;
Whilst upper life the slender rill
Of human sense doth overfill.

-Ralph Waldo Emerson

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I fled Him, down the nights and down the days;
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
Of my own mind; and in the mist of tears
I hid from Him, and under running laughter.
Up vistaed hopes I sped;
And shot, precipitated,
Adown Titanic glooms of chasmed fears,
From those strong Feet that followed, followed after.
But with unhurrying chase,
And unperturbèd pace,
Deliberate speed, majestic instancy,
They beat–and a Voice beat
More instant than the Feet–
“All things betray thee, who betrayest Me.”

I pleaded, outlaw-wise,
By many a hearted casement, curtained red,
Trellised with intertwining charities
(For, though I knew His love Who followed,
Yet was I sore adread
Lest having Him, I must have naught beside);
But if one little casement parted wide,
The gust of His approach would clash it to.
Fear wist not to evade, as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clanged bars;
Fretted to dulcet jars
And silvern chatter the pale ports o’ the moon.
I said to dawn, Be sudden; to eve, Be soon;
With thy young skyey blossoms heap me over
From this tremendous Lover!
Float thy vague veil about me, lest He see!
I tempted all His servitors, but to find
My own betrayal in their constancy,
In faith to Him their fickleness to me,
Their traitorous trueness, and their loyal deceit.
To all swift things for swiftness did I sue;
Clung to the whistling mane of every wind.
But whether they swept, smoothly fleet,
The long savannahs of the blue;
Or whether, Thunder-driven,
They clanged his chariot ‘thwart a heaven
Plashy with flying lightnings round the spurn o’ their feet–
Still with unhurrying chase,
And unperturbèd pace,
Deliberate speed, majestic instancy,
Came on the following Feet,
And a Voice above their beat–
“Naught shelters thee, who wilt not shelter Me.”

I sought no more that after which I strayed
In face of man or maid;
But still within the little children’s eyes
Seems something, something that replies;
They at least are for me, surely for me!
I turned me to them very wistfully;
But, just as their young eyes grew sudden fair
With dawning answers there,
Their angel plucked them from me by the hair.
“Come then, ye other children, Nature’s–share
With me,” said I, “your delicate fellowship;
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning
With our Lady-Mother’s vagrant tresses’
Banqueting
With her in her wind-walled palace,
Underneath her azured daïs,
Quaffing, as your taintless way is,
From a chalice
Lucent-weeping out of the dayspring.”
So it was done;
I in their delicate fellowship was one–
Drew the bolt of Nature’s secrecies.
I knew all the swift importings
On the wilful face of skies;
I knew how the clouds arise
Spumèd of the wild sea-snortings;
All that’s born or dies
Rose and drooped with–made them shapers
Of mine own moods, or wailful or divine–
With them joyed and was bereaven.
I was heavy with the even,
When she lit her glimmering tapers
Round the day’s dead sanctities.
I laughed in the morning’s eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
And its sweet tears were salt with mortal mine;
Against the red throb of its sunset-heart
I laid my own to beat,
And share commingling heat;
But not by that, by that, was eased my human smart.
In vain my tears were wet on Heaven’s gray cheek.
For ah! we know not what each other says,
These things and I; in sound I speak–
Their sound is but their stir, they speak by silences.
Nature, poor stepdame, cannot slake my drouth;
Let her, if she would owe me,
Drop yon blue bosom-veil of sky, and show me
The breasts of her tenderness;
Never did any milk of hers once bless
My thirsting mouth.
Nigh and nigh draws the chase,
With unperturbèd pace,
Deliberate speed, majestic instancy;
And past those noisèd Feet
A voice comes yet more fleet–
“Lo naught contents thee, who content’st not Me.”

Naked I wait Thy love’s uplifted stroke!
My harness piece by piece Thou hast hewn from me,
And smitten me to my knee;
I am defenseless utterly.
I slept, methinks, and woke,
And, slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours
And pulled my life upon me; grimed with smears,
I stand amid the dust o’ the mounded years–
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst as sun-starts on a stream.
Yea, faileth now even dream
The dreamer, and the lute the lutanist;
Even the linked fantasies, in whose blossomy twist
I swung the earth a trinket at my wrist,
Are yielding; cords of all too weak account
For earth with heavy griefs so overplussed.
Ah! is Thy love indeed
A weed, albeit amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must–
Designer infinite!–
Ah! must Thou char the wood ere Thou canst limn with it?
My freshness spent its wavering shower i’ the dust;
And now my heart is a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver
Upon the sighful branches of my mind.
Such is; what is to be?
The pulp so bitter, how shall taste the rind?
I dimly guess what Time in mist confounds;
Yet ever and anon a trumpet sounds
From the hid battlements of Eternity;
Those shaken mists a space unsettle, then
But not ere him who summoneth
I first have seen, enwound
With blooming robes, purpureal, cypress-crowned;
His name I know, and what his trumpet saith.
Whether man’s heart or life it be which yields
Thee harvest, must Thy harvest fields
Be dunged with rotten death?

Now of that long pursuit
Comes on at hand the bruit;
That Voice is round me like a bursting sea:
“And is thy earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest Me!
Strange, piteous, futile thing,
Wherefore should any set thee love apart?
Seeing none but I makes much of naught,” He said,
“And human love needs human meriting,
How hast thou merited–
Of all man’s clotted clay rhe dingiest clot?
Alack, thou knowest not
How little worthy of any love thou art!
Whom wilt thou find to love ignoble thee
Save Me, save only Me?
All which I took from thee I did but take,
Not for thy harms.
But just that thou might’st seek it in my arms.
All which thy child’s mistake
Fancies as lost, I have stored for the at home;
Rise, clasp My hand, and come!”

Halts by me that footfall;
Is my gloom, after all,
Shade of His hand, outstreched caressingly?
“Ah, fondest, blindest, weakest,
I am He Whom thou seekest!
Thou dravest love from thee, who dravest Me.”

-Francis Thompson

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Almost forgot! But it’s not too late…

Happy National Poetry Month!

Celebrate by getting involved.

In honor of National Poetry month, I want to hear from you!

Submit one of your own poems to NinaAlvarez.net and if I post it, you’ll reach thousands of readers. You retain all rights, of course. This is just for sharing and celebrating.

And in the meantime, learn more about National Poetry Month

FOR POETS

FOR TEACHERS

FOR STUDENTS & TEACHERS

National Poetry Month

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Me, I Talked

I.

The doors are closing; they fitted one into the other.  A shadow tells a lie: in this grimace I foresee the movement which makes bodies turn white and which incessantly makes itself behind me, what I believe to be me, what ought to be me…

In front of that, and that could have been me, two eyes nibbling at the same black bone light up.

In front of that, a ghost always searching for the same knowledge.

My shadow was close by.

And I’ll never know where I’ve dragged my shadow, because some black part of it remains inside.

Me, I talked and I talked…

And that was my ghost and that was all that I was; and thus I was wandering from the earth’s head to its transparent feet.  Sometimes older, sometimes nobody, sometimes making believe, as if ghosts had been enough to write the earth.  If I screamed: “At rest!” things howled, but time imposed, imposed upon me a shadow with a belly that kept opening more and more while night acted as if she could see inside of it.

Later, much later, the seas with their vague gestures, the mothers of the Beyond, counted me among their fish.

II.

To the forest I explain myself.

After the ruins — all that’s vital; what is — I went towards the room’s night, the night’s room, toward what should be room and is but night, and not even night, because room with the sad sad sad night… So much so that the birds are between the sheets, dead because of a long time, and not even dead but cold and not even cold, but like dead and shared by time, with time, with what tends, what I hear, what I wait for…

To the forest I explain myself.

Between two weighty eyes — quite far from everything — Quite far is all that, quite far all that is — The snow thickened with the tolling of heavy moons, and its power is red at the lips cracked by black teeth.

Hardly was I anchored in the sea — the condition of shipwrecks — that the sea swelled with a last gulp of poison.

Me, I mysterize myself, I mysterize myself…

Explaining myself to the forest, to the intaglioed trees, to the empty birds, howling with the skin of the wolf whose teeth I dream…

Oh the great thicknesses!

Oh the great discoveries!

My heart a little the heart

Of the being called Loss.

I swim in my shadow,

Too much black inside.

My shadow is the tomb

Open to the wind.

Glowing with a single scream

Blackening up front

Spared in the bed

By who passes through,

I feed on my shadow.

Oh the great thicknesses!

Oh the great discolors!

My flower somewhat a fear

Of losing myself fields.

But who furrows me?

Let the world hang me

If death lays me out

Suite of empty eyes

Let it do me a long time.

-Jean-Pierre Duprey, from 4X1: Works by Tristan Tzara, Rainer Maria Rilke, Jean-Pierre Duprey, and Habib Tengour

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What were we saying

when the plane hit

It was air

that whoosh

We had to trade in things

insert words

We had to hear what we

didn’t want to hear

I have trouble

these days

Its dawning on me

How little all this means

The current catches up and

All those pretty stones gone

There was a pause, when the plane hit

And since then we’ve been unsure

What were we saying?

We had decided to

go somewhere. Do something. But

The whoosh. We didn’t.

-Nina Alvarez

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Come, said my Soul
Such verses for my Body let us write, (for we are one,)
That should I after death invisibly return,
Or, long, long hence, in other spheres,
There to some group of mates the chants resuming,
(Tallying Earth’s soil, trees, winds, tumultuous waves,)
Ever with pleas’d smiles I may keep on,
Ever and ever yet the verses owning – as, first, I here and now,
Singing for Soul and Body, set to them my name,
Walt Whitman

-Walt Whitman

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A Shropshire Lad, II

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

-A. E. Housman

Happy Easter, from Nina

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Hissa Hilal, woman poet and master of bedouin dialect poetry, rocked the Arab world (and my world) by winning the Million’s Poet competition aired on Abu Dhabi state television.

She has since received death threats for the words of this poem. I think the real power is in her voice. And in the incredibly brave stance she is taking. Read more about the story at Times Online.

The Chaos of Fatwas

I have seen evil from the eyes of the subversive fatwas
in a time when what is lawful is confused with what is not lawful;

When I unveil the truth, a monster appears from his hiding place;
barbaric in thinking and action, angry and blind;
wearing death as a dress and covering it with a belt

He speaks from an official, powerful platform,
terrorizing people and preying on everyone seeking peace;
the voice of courage ran away and the truth is cornered and silent,
when self-interest prevented one from speaking the truth.

-Hissa Hilal

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