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The Unicorn

The Unicorn stood, like a king in a dream,
On the bank of a dark Senegambian stream;
And flaming flamingoes flew over his head,
As the African sun rose in purple and red.

Who knows what the thoughts of a unicorn are
When he shines on the world like a rising star;
When he comes from the magical pages of story
In the pride of his horn and a halo of glory?

He followed the paths where the jungle beasts go,
And he walked with a step that was stately and slow;
But he threw not a shadow and made not a sound,
And his foot was as light as the wind on the ground.

The lion looked up with his terrible eyes,
And growled like the thunder to hide his surprise.
He thought for a while, with a paw in the air;
Then tucked up his tail and turned into his lair.

The gentle giraffe ran away to relate
The news to his tawny and elegant mate,
While the snake slid aside with a venomous hiss,
And the little birds piped: ‘There is something amiss!’

But the Unicorn strode with his head in a cloud
And uttered his innocent fancies aloud.
‘What a wonderful world!’ he was heard to exclaim;
‘It is better than books: it is sweeter than fame!’

And he gazed at himself, with a thrill and a quiver,
Reflected in white by the slow-flowing river:
‘O speak to me, dark Senegambian stream,
And prove that my beauty is more than a dream!’

He had paused for a word in the midst of his pride,
When a whisper came down through the leaves at his side
From a spying, malevolent imp of an ape
With a twist in his tail and a villainous shape:

‘He was made by the stroke of a fanciful pen;
He was wholly invented by ignorant men.
One word in his ear, and one puff of the truth-
And a unicorn fades in the flower of his youth,’

The Unicorn heard, and the demon of doubt
Crept into his heart, and the sun was put out.
He looked in the water, but saw not a gleam
In the slow-flowing deep Senegambian stream.

He turned to the woods, and his shadowy form
Was seen through the trees like the moon in a storm.
And the darkness fell down on the Gambian plain;
And the stars of the Senegal sought him in vain.

He had come like a beautiful melody heard
When the strings of the fiddle are tunefully stirred;
And he passed where the splendours of melody go
When the hand of the fiddler surrenders the bow.

-E. V. Rieu

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In the Old Days a Poet Once Said

In the old days a poet once said
our nation is destroyed
yet the mountains and rivers survive

Today’s poet says
the mountains and rivers are destroyed
yet our nation survives

Tomorrow’s poet will say
the mountains and rivers are destroyed
our nation is destroyed and Alas!
you and I are completely destroyed

-by Ko Un

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Just for today

if it swims in front of you,
you must grab it.

If it pinches you
you must pinch it back.

If it is soft against you,
you must forget it.
And then remember it right
before sleep.

-Nina Alvarez

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anyone lived in a pretty how town

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did

Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone’s any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.

Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain

-E.E. Cummings

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Philosophy

If I should labor through daylight and dark,
Consecrate, valorous, serious, true,
Then on the world I may blazon my mark;
And what if I don’t, and what if I do?

-Dorothy Parker

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Commandment Ten

 

I love your eyes

they look like mine

they are dead

without design

 

And first comes first

second mission

this young breath

or hardened tail, this sort of

alabaster piece of history

standing tall on or around it

 

 

The first step and is it wandering?

The first hiccup, drawing out wonder

in the shape of a rabbit’s ear, a small

mole. the heart of a gutted deer

thrown to the underbrush

blood smell for darker.

 

I love your eyes

they’re dead like mine

uncurtained, hollow

to a white stone wind

 

Here is the first path, followed

commandment ten

swallowing wind: thou shalt not covet thy neighbor’s husband

 

too true, blue shoe

 

And boundless and bountiful

like far fields

I see us stretched under a horizon

that knew us

in different bodies

your name, still Brian

I had another name

my hair was dark

so was yours

and you were taller than me

but you were

still you

 

Oh parade of glad tidings

she sings to the salty,

North Philly air,

the shade of a shire

some fragments of an image

in an Ikea catalog

this is called

a life.

 

(in the shallows

I heard you whisper

a quiet cut in a finger

it told me to tell you

these things)

 

Sun, moon, sun, moon

and the answers someone

called God gave in the reeds

that whistle at the lake

At Sodus Bay, where the white bellies

of sunfish float up around the dim banks

 

I wonder about you, where you grew up

not the town, but

what sorts of grasses, breezes, lonelinesses

Why did you work so hard

why was it so important

to tell me you were special

-Nina Alvarez

 

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The Far Field

I
I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.

II

At the field’s end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, —
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.

I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole’s elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, —
Cape May, Blackburnian, Cerulean, —
Moving, elusive as fish, fearless,
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.

— Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I’ll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.

I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.

III

The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, —
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, —
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.

I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air.

IV

The lost self changes,
Turning toward the sea,
A sea-shape turning around, —
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.

All finite things reveal infinitude:
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow,
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree :
The pure serene of memory in one man, —
A ripple widening from a single stone
Winding around the waters of the world.

-Theodore Roethke

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What Was Told, That

What was said to the rose that made it open was said
to me here in my chest.

What was told the cypress that made it strong
and straight, what was

whispered the jasmine so it is what it is, whatever made
sugarcane sweet, whatever

was said to the inhabitants of the town of Chigil in
Turkestan that makes them

so handsome, whatever lets the pomegranate flower blush
like a human face, that is

being said to me now. I blush. Whatever put eloquence in
language, that’s happening here.

The great warehouse doors open; I fill with gratitude,
chewing a piece of sugarcane,

in love with the one to whom every that belongs!

-Jalalu’l-din Rumi, translated by Coleman Barks

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Fishing on the Susquehanna in July

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure–if it is a pleasure–
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one–
a painting of a woman on the wall,

a bowl of tangerines on the table–
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandanna

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame.


-Billy Collins

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Tea At The Palaz Of Hoon

Not less because in purple I descended
The western day through what you called
The loneliest air, not less was I myself.

What was the ointment sprinkled on my beard?
What were the hymns that buzzed beside my ears?
What was the sea whose tide swept through me there?

Out of my mind the golden ointment rained,
And my ears made the blowing hymns they heard.
I was myself the compass of that sea:

I was the world in which I walked, and what I saw
Or heard or felt came not but from myself;
And there I found myself more truly and more strange.

-Wallace Stevens

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