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Archive for the ‘poet’ Category

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green and white teas
(drinking books in the rain)
reading, smoking
ash falling in tea
(rain falling in tea)

more drinking

wine drunk (in the meantime)
porch sitting
in daylight

thinking
garden wise…

(knee deep in white pages)

beneath the gray
the green

bees seek refuge in me
(one with a sting seems glad I came)

honey in tea
but, too sweet…

(sunbeams betray the rain to me)
white blossoms sag with the weight

those too hurried to wait
leave long white sprays behind…

. . .

(one bee clings to the
column to outlast the rain,
others pay no mind)

-Robert Williams

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Sea Rose

Rose, harsh rose
marred and with stint of petals,
meagre flower, thin,
sparse of leaf,

more precious
than a wet rose
single on a stem —
you are caught in the drift.

Stunted, with small leaf,
you are flung on the sand,
you are lifted
in the crisp sand
that drives in the wind.

Can the spice-rose
drip such acrid fragrance
hardened in a leaf?

-H.D.

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Argentine

Woke up today
to chatter in the clouds,
a storm mouthing at my fingers
I was god,
hidden by night
a serpent in a serpents mouth

Work in the a.m.
treading light
thought I’d pieced you back
together from good dreams

Here I am, the gray power
grows in me
silver, argentine,
and I love the outline of my hands
against your absent body.

-Nina Alvarez

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Kore

As I was walking

I came upon

chance walking

the same road upon…
-Robert Creeley

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Novel

I.

No one’s serious at seventeen.

–On beautiful nights when beer and lemonade

And loud, blinding cafés are the last thing you need

–You stroll beneath green lindens on the promenade.

Lindens smell fine on fine June nights!

Sometimes the air is so sweet that you close your eyes;

The wind brings sounds–the town is near–

And carries scents of vineyards and beer. . .

II.

–Over there, framed by a branch

You can see a little patch of dark blue

Stung by a sinister star that fades

With faint quiverings, so small and white. . .

June nights! Seventeen!–Drink it in.

Sap is champagne, it goes to your head. . .

The mind wanders, you feel a kiss

On your lips, quivering like a living thing. . .

III.

The wild heart Crusoes through a thousand novels

–And when a young girl walks alluringly

Through a streetlamp’s pale light, beneath the ominous shadow

Of her father’s starched collar. . .

Because as she passes by, boot heels tapping,

She turns on a dime, eyes wide,

Finding you too sweet to resist. . .

–And cavatinas die on your lips.

IV.

You’re in love. Off the market till August.

You’re in love.–Your sonnets make Her laugh.

Your friends are gone, you’re bad news.
–Then, one night, your beloved, writes. . .!

That night. . .you return to the blinding cafés;

You order beer or lemonade. . .

–No one’s serious at seventeen

When lindens line the promenade.

-Arthur Rimbaud

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Wish For a Young Wife

My lizard, my lively writher,
May your limbs never wither,
May the eyes in your face
Survive the green ice
Of envy’s mean gaze;

May you live out your life
Without hate, without grief,
And your hair ever blaze,
In the sun, in the sun,
When I am undone,
When I am no one.

-Theodore Roethke

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Die Muhle Brennt–Richard
(after a painting by Georg Bazelitz)

When the red chair suspended in air
grazes the top of your head…

-Richard Matthews

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Wolves

I do not want to be reflective any more
Envying and despising unreflective things…

-Louis MacNeice

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The Waking

I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.

-Theodore Roethke

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For the Young Who Want To

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

Work is what you have done
after the play is produced
and the audience claps.
Before that friends keep asking
when you are planning to go
out and get a job.

Genius is what they know you
had after the third volume
of remarkable poems. Earlier
they accuse you of withdrawing,
ask why you don’t have a baby,
call you a bum.

The reason people want M.F.A.’s,
take workshops with fancy names
when all you can really
learn is a few techniques,
typing instructions and some-
body else’s mannerisms

is that every artist lacks
a license to hang on the wall
like your optician, your vet
proving you may be a clumsy sadist
whose fillings fall into the stew
but you’re certified a dentist.

The real writer is one
who really writes. Talent
is an invention like phlogiston
after the fact of fire.
Work is its own cure. You have to
like it better than being loved.

-Marge Piercy

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