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Archive for the ‘poem’ Category

Me, I Talked

I.

The doors are closing; they fitted one into the other.  A shadow tells a lie: in this grimace I foresee the movement which makes bodies turn white and which incessantly makes itself behind me, what I believe to be me, what ought to be me…

In front of that, and that could have been me, two eyes nibbling at the same black bone light up.

In front of that, a ghost always searching for the same knowledge.

My shadow was close by.

And I’ll never know where I’ve dragged my shadow, because some black part of it remains inside.

Me, I talked and I talked…

And that was my ghost and that was all that I was; and thus I was wandering from the earth’s head to its transparent feet.  Sometimes older, sometimes nobody, sometimes making believe, as if ghosts had been enough to write the earth.  If I screamed: “At rest!” things howled, but time imposed, imposed upon me a shadow with a belly that kept opening more and more while night acted as if she could see inside of it.

Later, much later, the seas with their vague gestures, the mothers of the Beyond, counted me among their fish.

II.

To the forest I explain myself.

After the ruins — all that’s vital; what is — I went towards the room’s night, the night’s room, toward what should be room and is but night, and not even night, because room with the sad sad sad night… So much so that the birds are between the sheets, dead because of a long time, and not even dead but cold and not even cold, but like dead and shared by time, with time, with what tends, what I hear, what I wait for…

To the forest I explain myself.

Between two weighty eyes — quite far from everything — Quite far is all that, quite far all that is — The snow thickened with the tolling of heavy moons, and its power is red at the lips cracked by black teeth.

Hardly was I anchored in the sea — the condition of shipwrecks — that the sea swelled with a last gulp of poison.

Me, I mysterize myself, I mysterize myself…

Explaining myself to the forest, to the intaglioed trees, to the empty birds, howling with the skin of the wolf whose teeth I dream…

Oh the great thicknesses!

Oh the great discoveries!

My heart a little the heart

Of the being called Loss.

I swim in my shadow,

Too much black inside.

My shadow is the tomb

Open to the wind.

Glowing with a single scream

Blackening up front

Spared in the bed

By who passes through,

I feed on my shadow.

Oh the great thicknesses!

Oh the great discolors!

My flower somewhat a fear

Of losing myself fields.

But who furrows me?

Let the world hang me

If death lays me out

Suite of empty eyes

Let it do me a long time.

-Jean-Pierre Duprey, from 4X1: Works by Tristan Tzara, Rainer Maria Rilke, Jean-Pierre Duprey, and Habib Tengour

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What were we saying

when the plane hit

It was air

that whoosh

We had to trade in things

insert words

We had to hear what we

didn’t want to hear

I have trouble

these days

Its dawning on me

How little all this means

The current catches up and

All those pretty stones gone

There was a pause, when the plane hit

And since then we’ve been unsure

What were we saying?

We had decided to

go somewhere. Do something. But

The whoosh. We didn’t.

-Nina Alvarez

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Come, said my Soul
Such verses for my Body let us write, (for we are one,)
That should I after death invisibly return,
Or, long, long hence, in other spheres,
There to some group of mates the chants resuming,
(Tallying Earth’s soil, trees, winds, tumultuous waves,)
Ever with pleas’d smiles I may keep on,
Ever and ever yet the verses owning – as, first, I here and now,
Singing for Soul and Body, set to them my name,
Walt Whitman

-Walt Whitman

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A Shropshire Lad, II

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

-A. E. Housman

Happy Easter, from Nina

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Hissa Hilal, woman poet and master of bedouin dialect poetry, rocked the Arab world (and my world) by winning the Million’s Poet competition aired on Abu Dhabi state television.

She has since received death threats for the words of this poem. I think the real power is in her voice. And in the incredibly brave stance she is taking. Read more about the story at Times Online.

The Chaos of Fatwas

I have seen evil from the eyes of the subversive fatwas
in a time when what is lawful is confused with what is not lawful;

When I unveil the truth, a monster appears from his hiding place;
barbaric in thinking and action, angry and blind;
wearing death as a dress and covering it with a belt

He speaks from an official, powerful platform,
terrorizing people and preying on everyone seeking peace;
the voice of courage ran away and the truth is cornered and silent,
when self-interest prevented one from speaking the truth.

-Hissa Hilal

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I think I could turn and live with animals, they’re so placid and self contain’d,
I stand and look at them long and long.
They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the earth.

–Walt Whitman

Left as a comment by Karen 5.0.

Thank you, Karen. Whitman always does it for me.

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from “Tamburlaine the Great” (Part 1, Act V, 160-173)

What is beauty, saith my sufferings, then?
If all the pens that ever poets held
Had fed the feelings of their masters’ thoughts
And every sweetness that inspired their hearts,
Their minds and muses on admired themes;
If all the heavenly quintessence they still
From their immortal flowers of poesy,
Wherein as in a mirror we perceive
The highest reaches of a human wit —
If these had made one poem’s period
And all combined in beauty’s worthiness,
Yet should there hover in their restless heads
One thought, one grace, one wonder at the least,
Which into words no virtue can digest.

-Christopher Marlowe

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I

The book lies open
in all the hallways
in all the oases
in all the dreams
around every corner
behind every sand dune

in this dream too
you have to add a line
your place is between
the already written
& the unwritten,
in the white empty space.

In this dream
Stalin smiled, & Heidegger too
in this dream
cockroaches
scuttled from the book–but it had to be written in, despite
the smiles.

A dream of a book
a dream of a desert in a book
a dream of a desert that runs from the book
a dream of a  book and a desert
a dream of sand through fingers
a dream of white
a dream of mica
a dream of fennecs
a dream of a desert spilling from the book
into and through the hallway and out the door

And a voice said
write the book
& you will be healed

A voice said a voice said

my middle my voice my will
write in the book

write the desert
the dream
write the sand the white write the running
dream the book.

-Pierre Joris, from H.J.R.

Order the Book

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Spring and Fall

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By & by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep & know why.
Now no matter, child, the name:
Sorrow’s springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.

-Gerard Manley Hopkins

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