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Archive for the ‘Nina Alvarez’ Category

Agnes Kelley, 51, Died of Pneumonia, 1906

I am long dead to you
Bones make sounds,

rattle under rock

This is my rock
And I talk

We are long dead
The ones who whisper
The ones who
Wander in a
Country shed

Batting at rakes
And plates
And sparrows
Squaking
This breath is talking
And you are listening

And we made it here
Through the great beyond
I laugh to think what you call it
It was a journey
I do not recall
What it took
Where it was
The time

If time exists

But we took it
To come here
And thought there
Was a hole somewhere in it
Up to heaven

I haven’t been canceled
Or put out
I am here
As real as relish
Not dead
No, not like they say

Not dead with a foot of rot
And a soul singing to God

I am here in a burned out charnel house
In the cavity of a lamb
In the crack of a sidewalk
Creeping like a spider
Shifting like a snake
I am darkness now
And the sun does not warm
A cold steel drum
Beats out
The long life
Of my death

-Nina Alvarez

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Rain Upon the Gossip Tree

The window frames the Gossip tree tonight
Dark brick below
A clean gray blue above
It rained for over an hour
The air cooled
I thought of you
The birds sung
My room felt like a rain forest

I think of what I would say to you
I scratch my arm
There are many songs I could sing
Lullabyes and ballads
Sung a thousand times
They are so deep, like ruts
So easy to flow into
They tell a story you would like to be a part of

But I cannot imagine how I have come here
And that is what interests me
The question of being
How I came to be in this body
In this city

What of my past?
-1999
-the room I lived in during grad school
-the
Pacific Ocean
in its particular composition
of molecules
and vectors
in February 2000.

Where are the hours I thought
I would be in so much trouble
If I didn’t finish a paper, or read
Another chapter, or get to class on time

In what way have I escaped?
I look around me.
I am 29 years old, I live in
Philadelphia. I work.

You are 42. You are getting divorced. There is
A house involved. I live in an apartment. You
Have a studio. We sketch on Thursday nights.

I am me. The me who slipped, who wanted to die.
I am me, whose skin burned with self-consciousness,
Who saw pathos in bracelets and ponytails, who
Couldn’t befriend people she wanted to be.

I am her, but I am not her anymore. I am easy,
I make many words, and have a sure voice. I don’t
Ask.

But I don’t write my poems
Like I used to.
The need to confirm
That I have an interior.

My eyes had not adjusted to dreams or light,
Now, they suffuse all, and involve themselves in all.
I spare no personal expense
In entering.
But I spend nothing I do not wish to spend.

And yet, and yet,
Who is this
With arms that wave
With fingers that fly
Who I will not be
In a moment
Or day

Who is in this body
Who will remain in this body
But who will be left behind
In this Sunday evening, May 2007.

-Nina Alvarez 

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Giving Up

Sometimes
It is good to be
Not good enough

To not know where the line breaks should go
To get angry at a fussy computer
To spill hot chocolate on it
To dislike Sunday evenings as the sun is going down
And you have to work all week
But don’t have money
For coffee

Sometimes
It is okay
To look through the hall of the century
Through your shoddy lens
And feel wistful for the Parisian twenties
To imagine that Gertrude Stein
Knew something you don’t

In all my words I kept planting a song
A hopeful victory song
Of a metal-chested knight,
His fist to his heart
I kept saying
I have something to say

But sometimes
It is just what it is
Here, in this moment
Not knowing what to say
Or where to put the line breaks
Just sliding down on someone
Else’s convention
Rushing through a poem
Without hope
Of answering
The vibration
That knaws
To know

-Nina Alvarez

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Just for today

if it swims in front of you,
you must grab it.

If it pinches you
you must pinch it back.

If it is soft against you,
you must forget it.
And then remember it right
before sleep.

-Nina Alvarez

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Commandment Ten

 

I love your eyes

they look like mine

they are dead

without design

 

And first comes first

second mission

this young breath

or hardened tail, this sort of

alabaster piece of history

standing tall on or around it

 

 

The first step and is it wandering?

The first hiccup, drawing out wonder

in the shape of a rabbit’s ear, a small

mole. the heart of a gutted deer

thrown to the underbrush

blood smell for darker.

 

I love your eyes

they’re dead like mine

uncurtained, hollow

to a white stone wind

 

Here is the first path, followed

commandment ten

swallowing wind: thou shalt not covet thy neighbor’s husband

 

too true, blue shoe

 

And boundless and bountiful

like far fields

I see us stretched under a horizon

that knew us

in different bodies

your name, still Brian

I had another name

my hair was dark

so was yours

and you were taller than me

but you were

still you

 

Oh parade of glad tidings

she sings to the salty,

North Philly air,

the shade of a shire

some fragments of an image

in an Ikea catalog

this is called

a life.

 

(in the shallows

I heard you whisper

a quiet cut in a finger

it told me to tell you

these things)

 

Sun, moon, sun, moon

and the answers someone

called God gave in the reeds

that whistle at the lake

At Sodus Bay, where the white bellies

of sunfish float up around the dim banks

 

I wonder about you, where you grew up

not the town, but

what sorts of grasses, breezes, lonelinesses

Why did you work so hard

why was it so important

to tell me you were special

-Nina Alvarez

 

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Check out the new photo section of my site: Click images below to link to page.

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img_1151.jpg   img_1035.jpg  img_1154.jpg  img_0930.jpg  img_1148.jpg  img_1037.jpg

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New Coat of Rain

New coat of rain,
paint side walks rift
through papers in dry
corners, she wonders

floor grease at home, tells
her son where the hookah
hung out and what too is
important, long and broad

she is the cobweb that
will wait forever to be
swept, hanging on
so well, so much.

-Nina Alvarez

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I am starting a series of short poems made visual called One-minute poems. You can see them here under Video or at Philthy Conversations with Artists.

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When its windy, I see him. He is always already waiting, like these lines. Until my fingers touched the keys, the words were nowhere. Then suddenly, they were leaping out; impatient, ready. It is this way with things that I think and see. They are never there and always already there. When the conditions for appearance are right.

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Song

Listen: there was a goat’s head hanging by ropes in a tree.
All night it hung there and sang. And those who heard it

-Brigit Pegeen Kelly

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